Over thirty years ago, the short-lived but often celebrated power-rock trio of Bob Mould, David Barbe and Malcolm Travis played their last shows and called it a day. With just two albums, a mini-LP and a clutch of anthemic singles, Sugar was considered a done deal, job done and the end (and beginning) of a short but inspiring musical and cultural chapter.
At the centre of Sugar's universe remains their debut-album Copper Blue. Issued in the UK in 1992 on the already-established Creation Records label, CB is ten supercharged anthems inspired by Nirvana's multi-platinum Nevermind (Mould has as much admitted its influences) and was seen as something as a 'life-saver' for frustrated young adults and receptors of the ongoing grunge. And it still sounds like little else 30+ years after its inception.
Following the release of the band's first new material since second less-loved (but no less important) album File Under Easy Listening in 1994, demand for the band's 2026 comeback shows has been eagerly received with both London dates on this Love You Even Still tour sold out and other UK shows on the brink of being cleaned out.
Taking Copper Blue and its attendant mini-LP Beaster as the springboard for what was a lengthy setlist, this opening show for the UK arm of the tour took place on one of the hottest May days since records began. To say it was warm in London's O2 Forum is an understatement - it was a sweltering melting pot by the time I left (early - trains and temperature, it's a British thing) and I can only speculate how the encore panned out.
Before that though we were treated to a relentlessly bouyant combination of early songs and later trailblazers, all of which created something of a cacophonic wall of sound as time went on. Not quite resembling the full throttle days of Land Speed Record by Mould's former Husker Du, but impressive nonetheless. Mould can still jive around the stage like he genuinely has a love for the music, Barbe croons sweetly on his song choices (especially the cracking Company Book) and Travis deftly rolls those drums like a doughmaster mixing his 00 grade to perfection.
For the first 40 minutes or so, Sugar sounded sweet until there came a point where everything started to blur into a treble-high squall. The problem wasn't the band, probably wasn't the mixing desk so much - it had to be the venue. You see, the Forum has former issues. At stage or ground level, artists sound fine, if a little distorted. At balcony level, absolutely unlistenable after a while. By the end of the admittedly terrific Your Favorite Thing, I was thinking it was 'just me' and maybe it was the heat. But as soon as more songs unravelled, so did the venue's acoustics.
The Forum is already irritating, and that's before you get past the border guards on the door and the seemingly endless rules about chewing gum, water and bags, plus the lack of ventilation. Things have certainly changed from my last visit in 2019 and it's perhaps a little harsh to compare it with my previous gig, The Prodigy at the OVO in Glasgow (again, we were up in the gods). At least the loos have been improved.
Looking at the band's venue choices for the remainder of this important comeback tour, I'd hope you're in for a treat - Barrowlands and Rock City look the pick of the bunch (I'm told).
Anyway, to return to the night itself. The audience were appreciative, if not exactly whooping with joy at the blazing A Good Idea and Hoover Dam, although cheers got steadily louder as the night went on.
It's great to have them back over here but please, not at the Forum again.
The Band: ★★★★★★★★☆☆
Venue: ★★★★☆☆☆☆☆☆
Beer: Don't bother. The nearby Caps and Taps (Tufnell Park tube 1 min, 10 minutes walk max from venue) or The Southampton Arms (Gospel Oak overground 3 mins, 11mins walk) are far better on many levels.



