ALBUM REVIEW - David Grubbs - The Plain Where The Palace Stood


David Grubbs:
The Plain Where The Palace Stood:
Drag City:
Out 15th April 2013:

6/10

Unless you're thoroughly acquainted with this man's idiosyncratic experimental rock kerfuffle, David Grubb's bullish take on the avant-garde might unnerve you a little - hell, it might even repulse you, such is its relentless monotonous composite. But take your time, fill your pipe with happy herbs and relax - The Plain Where The Palace Stood might turn out to be your friend after all. 

The album is comprised of eleven tracks that, suggests the PR blurb, borrow from the likes of Sunn O))) and Scott Walker, as well as Talk Talk (presumably Laughing Stock-era TT, not It's My Life). I can hear bits of Pavement, some Mogwai and Slint, even a smattering of Julian Cope at his most arcane - in fact, Grubbs sort of sounds like lots of music enjoyed by me when I had a late '80s penchant for SST Records - Blind Idiot God, Lawndale, Black Flag, hey it's all good. 

The only gripe is that for every super track like Ornamental Hermit, there's an unseemly cacophony to hand to nullify my senses into a near-coma - A View of the Mesa and Abrcadabrant cases in point. I fear Mr Grubbs may be just a little too out there for peeps on this side of the pond. 

For more info about David Grubbs, try his label Drag City here